Bright Wall/Dark Room.
9 months ago
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Excerpt from BW/DR, Issue #2: Patrick Vickers on Eyes Wide Shut (1999):

"Tom Cruise is only really interesting as an actor when his persona is pushed almost to the point of breakdown. When playing it cool, he often comes across as dull. As with Nicolas Cage, Cruise often resorts to manic tics and weird expressions when required to emote, but what’s curious about Eyes Wide Shut is the way in which Cruise doesn’t get to do any of that. He’s toned right down, and left strangely still. He seems incapable of demonstrating any emotion at all. And throughout, the camera lingers on this stare that he does—the same cold, angular stare we see shining out from all those CGI-daubed movie posters. In the context of a film, this could barely be considered acting. Cruise rarely looks like he knows quite what he’s supposed to be doing here, and yet this somehow fits perfectly with the disaffected mood of the film; the character of a faintly stupid man without palpable emotions trapped in a world he can’t seem to understand.” 

To read the rest of this essay, click here to download Bright Wall/Dark Room magazine directly from your iPhone or iPad.

Excerpt from BW/DR, Issue #2: Patrick Vickers on Eyes Wide Shut (1999):

"Tom Cruise is only really interesting as an actor when his persona is pushed almost to the point of breakdown. When playing it cool, he often comes across as dull. As with Nicolas Cage, Cruise often resorts to manic tics and weird expressions when required to emote, but what’s curious about Eyes Wide Shut is the way in which Cruise doesn’t get to do any of that. He’s toned right down, and left strangely still. He seems incapable of demonstrating any emotion at all. And throughout, the camera lingers on this stare that he does—the same cold, angular stare we see shining out from all those CGI-daubed movie posters. In the context of a film, this could barely be considered acting. Cruise rarely looks like he knows quite what he’s supposed to be doing here, and yet this somehow fits perfectly with the disaffected mood of the film; the character of a faintly stupid man without palpable emotions trapped in a world he can’t seem to understand.” 

To read the rest of this essay, click here to download Bright Wall/Dark Room magazine directly from your iPhone or iPad.

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    Excerpt from BW/DR, Issue #2: Patrick Vickers on Eyes Wide Shut (1999): "Tom Cruise is only really interesting as an...
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